Goldmund Quartet: Intensity and Incandescence
The Goldmund String Quartet made a impressive Miami debut with Friends of Chamber Music of Miami, proving itself not merely a rising young ensemble, but a guidepost for the future of… Sigue leyendo
The Goldmund String Quartet made a impressive Miami debut with Friends of Chamber Music of Miami, proving itself not merely a rising young ensemble, but a guidepost for the future of… Sigue leyendo
They do not form a duo in the strict sense of the term; however, each time they meet on stage—a circumstance that fortunately occurs with notable frequency—the German violist Tabea Zimmermann and the… Sigue leyendo
In a world governed by chaos, there is still room for a measure of optimism. A sold-out house —not only of seasoned operagoers, but with a significant presence of young people— attending Tristan… Sigue leyendo
The Polish soprano Aleksandra Kurzak, long celebrated as an incandescent Liu, now steps into the glacial terrain of Turandot opposite her real-life Calaf, the divo Roberto Alagna, in Miami with Florida Grand Opera.… Sigue leyendo
Two concerts in one week at the Adrienne Arsht Center for the Performing Arts offered a pointed reminder that reports of classical music’s fragility are often exaggerated — provided the right artists are… Sigue leyendo
Last weekend, Miami witnessed two musical offerings that laid bare the contrast between entertainment and artistic depth. Both, of course, can — and should — coexist within the cultural ecosystem of any healthy… Sigue leyendo
The second weekend of January showed Miami revitalized in the field of classical music, successfully engaging both major strands of the genre: tradition and innovation. The former found its stage at the Arsht… Sigue leyendo
Sarah Willis, the first woman ever to join the brass section of the Berlin Philharmonic, returns to her fruitful dialogue with Cuban music in a new Christmas album that builds naturally on the… Sigue leyendo
One of Miami’s most surprising curiosities is that, in musical terms, this young city of the “New World” can boast a Mahlerian tradition that is as inusual as it is consistent. This tradition… Sigue leyendo
FRANK GEHRY (1929-2025) Some buildings answer questions their cities have not yet fully learned how to ask. The New World Center is one of them. When Frank Gehry completed his long-awaited debut in… Sigue leyendo
The opening concert of the New World Symphony’s 2025–26 season was as unusual as it was unique. It was not merely splendid but a remarkable declaration of artistic and human principles, one that… Sigue leyendo
Last Friday night, IlluminArts opened its season at the Institute of Contemporary Art, Miami, with a concert that blurred the boundaries between sound and vision. Conceived in tandem with the museum’s exhibition of… Sigue leyendo