Onegin que nos hiciste mal
En El arca rusa, Sokurov propone un viaje por la historia de Rusia en una toma continuada y en su personalísima versión de Eugene Onegin, Stefan Herheim deja entrever paralelismos con la genial… Sigue leyendo
La gran música regresa a Miami como bálsamo después de meses de sequía. La espera termina. La nueva temporada ofrece una cosecha de grandes orquestas, solistas y directores, junto a propuestas de cámara,… Sigue leyendo
After months of drought, finally great music returns to Miami. The wait is over. The new 2026–27 season brings an abundant harvest of major orchestras, soloists, and conductors, alongside chamber music, opera, and… Sigue leyendo
Aún quedan artistas cuya grandeza no reside sólo en la excelencia de sus interpretaciones, sino también en su capacidad para reinventarse sin traicionarse jamás. Pocos encarnan esta cualidad con tanta elocuencia como… Sigue leyendo
The finest interpreters of the autumnal Marschallin—from Der Rosenkavalier by Richard Strauss—often maintain that the secret to making her final farewell truly memorable lies in leaving the audience with one eye in tears… Sigue leyendo
“A coda is a musical element at the end of a composition that brings the whole piece to a conclusion. A coda can vary greatly in length. My life’s coda is generous… Sigue leyendo
Two evenings bore eloquent witness to the power of collaboration: when distinct institutions converge, a city’s artistic pulse is not merely sustained—it is elevated: the NWS -America’s Orchestral Academy- the MCB- the local… Sigue leyendo
Last Sunday at Miami Beach Community Church, Patrick Dupré Quigley, the tireless visionary who shaped Seraphic Fire into one of the nation’s most luminous vocal ensembles, took his leave after more than two… Sigue leyendo
The Goldmund String Quartet made a impressive Miami debut with Friends of Chamber Music of Miami, proving itself not merely a rising young ensemble, but a guidepost for the future of… Sigue leyendo
They do not form a duo in the strict sense of the term; however, each time they meet on stage—a circumstance that fortunately occurs with notable frequency—the German violist Tabea Zimmermann and the… Sigue leyendo
No forman un dúo en el sentido estricto del término; sin embargo, cada vez que coinciden sobre el escenario, circunstancia que afortunadamente se repite con notable frecuencia, la violista alemana Tabea Zimmermann… Sigue leyendo
In a world governed by chaos, there is still room for a measure of optimism. A sold-out house —not only of seasoned operagoers, but with a significant presence of young people— attending Tristan… Sigue leyendo
Two concerts in one week at the Adrienne Arsht Center for the Performing Arts offered a pointed reminder that reports of classical music’s fragility are often exaggerated — provided the right artists are… Sigue leyendo
Gracias a dos presencias estelares, dos conciertos en una sola semana dieron brillo al Arsht Center en el renglón lírico y sinfónico. Juan Diego Flórez: El recital vocal en la gran tradición Quienes… Sigue leyendo
The second weekend of January showed Miami revitalized in the field of classical music, successfully engaging both major strands of the genre: tradition and innovation. The former found its stage at the Arsht… Sigue leyendo
Ernesto Acher, Adriana Aizemberg, Roberta Alexander, Hector Alterio, Luigi Alva, Björn Andrésen, Giorgio Armani, Loni Anderson, Pierre Audi, Jorge Aulicino, Roy Ayers, Brigitte Bardot, Patrice Bart, Enrique Batiz, Bertrand Blier, Gustave Botiaux, Alfred… Sigue leyendo
